“Fans of Shiny Toy Guns, Gem, and Evenessence will dig this record”- Roger Thornhill, A&R Floppy Junk Records

In five short years, Attic Base have 
made quite the headway. Having released the brilliant Night Vision album which lead to international acclaim, they follow it up with their third album: New World View, which features 12 tracks of new songs. Download it now!


The record was produced by Max Coyote of the Depeche Mode cover fame “photographic”

You can download the entire record for $10 below.

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Track Listing:

1. Martini Dreams
2. Define Yourself
3. New World View
4. Oh My My
5. I'll Never
6. Satellite
7. Last Flight Out
8. Writing On The Wall
9. Frozen
10 Afterglow
11 Photographic (Depeche Mode Cover)
12 Love Denied
13 Hypnotic

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REVIEWS:

Attic Base’s New World View is really two albums in one, each with their separate styles. The male-vocal dominated tracks such as “Frozen”, “Define Yourself” and “Love Denied” are a direct extension of the 80’s-era Depeche Mode. In fact, in homage to them, Attic Base sings a very nice cover of “Photographic”. Mike Burton sings and sounds just like a brother of Dave Gahan with emotional, whispering and raw vocals with a hint of English accent. If your Depeche Mode itch hasn’t been scratched, these tracks do an acceptable job of scratching it.
Where New World View really shines is on the more modern and unique styling of Melissa Mello’s female vocal tracks. These more pop/ electronica influence tracks are more comparable to such modern bands as Shiny Toy Guns. “Martini Dreams” and “Oh My My” are a hauntingly fun romps with nice medium beats and easy hooks. The album’s title track is a synth-heavy repetitive ride with great transitions and breaks.
“Satellite” starts out with a blast of vocals and very limited background music that really lets you focus on Melissa’s pleasant and soothing vocals. “Last Flight Out”, which is my favorite song on the album, grabs you right away with the funky beats, bass line and breakbeat-style rhythms. “Writing on the Wall” gives you a bit more of a climbing beat and you will find yourself singing along with it very quickly.
The aptly-named ending track “Hypnotic” is a great ending to this fine album. With its repetitive drum-heavy opening to its use of clichés in its chorus and ending with a whirlpool that drags you into its depths, it’s a fine ending to a solid album.

--Cameron DeGroff, Screenwriter